studio catherine griffiths

images / © Catherine Griffiths

05 a corporate world

selected

exhibition: A bespoke display system for New Zealand Institute of Architects

exhibition: Point of Distance
Venice Architecture Biennale 2014 submission

exhibition: Diverse Practice
School of Architecture, VUW

exhibition: ParlourLIVE!
Venice Architecture Biennale 2016 submission

film: Making Waves with 20...

id: Athfield Architects
id: KAREN Network
id: KTA
id: Logan Studio
id: The Oxygen Group
id: Parlour
id: REANNZ
id: Sharon Jansen Architect
id: Stevens Lawson Architects
id: TRANSFORM
id: TŪMANAKO : HOPE

online: Interstices Journal

print: A+W•NZ
print: BRAIN magazine, JP
print: Desktop magazine, AU
print: Adam Art Gallery
print: Kristy Gorman
print: Creative New Zealand
print: TypeSHED11
print: RAMIREZ/LAINUS

poster: A+W•NZ
poster: A Cadavre Exquis, TS11
poster: Fête du Graphisme 2015
poster: Blue Oyster Art Space
poster: Like This, Like Us
poster: Man-Made
poster: Salted:Singlet
poster: Things That Move Me
poster: Wonder-Land
poster: Window

wayfinding: Athfield Architect
wayfinding: Distance Markers
wayfinding: Fran Wilde Walk

Adam Art Gallery fund-raising brochure

client: Victoria Unversity, 1997

The crisp, transluscent white of Gilclear paper was key to the design of this brochure — and tested the limits of the paper (and the paper merchants!) by cracking on the folds, and eventually falling apart. The project was finally printed on a ‘normal’ paper stock (opaque card), compromising the concept, which was architectural drawings merging with photographs of the art collection (Bruce Connew) on a drafting type of paper. The title typography is printed on the inside back to front which, when first viewed as folded, reads right way around.

980 x 297mm roll-folded to A4