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A—Z,
1—10 Catherine Griffiths, 1984
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Shots in the air
Just 36 frames for a (typo) exercise in photographic restraint
Back in 1984, before Wellington Polytechnic had computers, Visual
Communication Design students spent big on course materials. One
tool our tutors encouraged us to buy was an SLR camera, analogue
then — either that, or borrow a school one for which there was
a queue. Somehow, I scraped together enough for a Ricoh, a leap
on from my Kodak Instamatic and its small, square format, prints
with rounded corners.
The camera (and the darkroom processes in league with it), we
discovered, was especially useful — photography brought to light
new ways of seeing, and unexpectedly introduced us to other expressive
disciplines — in this case, Lettering and Typography.
It’s a clear memory, being briefed in class, one sharp Spring
morning, to photograph the alphabet A-Z, followed by numbers 1-10.
We loaded up our cameras, each with a roll of 35mm black and white
Ilford film, 36 frames (not 24), and headed into the fresh air
to go looking. Seemed a simple task, erring on the side of boring,
we thought. Good excuse for a percolated coffee downtown at Suzy’s.
But, there was a catch. We were to shoot a sequence accounting
for the way the six negative strips of six frames would be set
out in the easel and printed as a standard 8x10 proof sheet (portrait
format), reading A-Z, 1-10, left to right, top to bottom.
Spotting a nifty ‘W’ on a red bus (the Wellington
transport logo), when actually I needed a ‘B’, called for restraint
over impulse — the shutter was tantalising. But no screw ups, one
film only. No chance to review, delete or cheat. This was a real-time
wander around a small city of letters and numbers — a serendipitous
composition of forms and figures on film in the dark of a camera,
idiosynchratic records from the mind’s eye, of a time and place.
Catherine Griffiths, Eye Blog, January 20th, 2011
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04 writing & critique
Walk With Me
by Stephen Cleland
curatorial essay, »Catherine Griffiths: Walk With Me«, Te Wai Ngutu Kākā Gallery, Aotearoa NZ, July 2025
Blood lines
by John Warwicker
exhibition review, »Catherine Griffiths: Out of Line«, Eye Blog, UK, June 2025
On the Expanded
by Megan Patty
curatorial essay, »Catherine Griffiths: Out of Line«, The Design Gallery, University of Melbourne, Australia, May 2025
The Shapes of Sound
by Ela Egidy
curatorial essay, »Catherine Griffiths: Out of Line«, The Design Gallery, University of Melbourne, Australia, May 2025
Read this space
by John L. Walters
book review, »catherine griffiths : SOLO IN [ ] SPACE«, Eye, UK, Spring 2023
Shots
in the air
by Catherine Griffiths
Eye Blog,
Jan 20, 2011
related
links
www.blog.eyemagazine.com
Making Noise
by Catherine Griffiths
contribution, Alphabettes Soup: 2015–2025, Bikini Books, Portugal, March 2026
Walk With: A Survey Exhibition by Catherine Griffiths
by Catharina van Bohemen
exhibition review, Art New Zealand #196, Aotearoa NZ, November 2025
A paper record
by Catherine Griffiths introduction, Present Tense : Wāhine Toi Aotearoa — a paper record., Aotearoa NZ, May 2023
An installation on an installation on an installation ...
by Catherine Griffiths
artist statement, »catherine griffiths : SOLO IN [ ] SPACE« A documentation, Pocca, China
September 2021
A Paper Vehicle
by Catherine Griffiths and
Bruce Connew
Dwelling in the Margins, Gloria Books, 2020
Figures that don’t add up
by Catherine Griffiths
Eye Blog, UK, March 2019
1997–2017, 43 Black Pins, 40 men, 3 women
by Catherine Griffiths
The Spinoff, Aotearoa NZ, August 2018
Power in the Poster
by Catherine Griffiths
Designers Speak (Up), Aotearoa NZ, August 2018
Peace
by Catherine Griffiths
Word—Form, Australia, 2018
Porto Design Summer School 2017
by Catherine Griffiths
review, looking back on the fifth edition, Portugal, April 2018
Notes from ‘Designing the perfect photobook’
notes from a short talk as part of a panel discussion, PhotobookNZ, Aotearoa NZ, March 2016
A meditation
Sir Ian Athfield, 1940 — 2015
by Catherine Griffiths
Architectural Centre, Aotearoa NZ,
April 2015
The Design Kids interview
interview with The Design Kids, Australia, July 2015
A Playlist : CG >> CG
by Catherine Griffiths
DPAG Late Breakfast Show, Aotearoa NZ, August 2014
Body, Mind, Somehow: The Text Art of Catherine Griffiths
by Gregory O’Brien
Art New Zealand #150, Aotearoa NZ, 2014
Nothing in Mind
by Chloe Geoghegan
typ gr ph c, Aotearoa NZ, August 2014
typ gr ph c in Strips Club
by Catherine Griffiths
Strips Club journal, Aotearoa NZ, March 2014
In the Neighbourhood
by Catherine Griffiths
Desktop #294, Australia, 2013
Interview
by Heath Killen
interview for Desktop #294, Australia, 2013
FF ThreeSix
by Catherine Griffiths
Typographica, March 2013
A note on the D-card
by Catherine Griffiths
Aotearoa NZ, April 2013
She’s Got Legs
by Lee Suckling
Urbis, Aotearoa NZ, January 2013
Truly, No Idea
by Catherine Griffiths
for Flash Forward, Desktop, Australia, November 2012
Look for the purple lining
by Catherine Griffiths
Eye Blog, UK, March 2012
Q&A TBI
interview with The Big Idea, Aotearoa NZ, June 2011
Shots in the air
by Catherine Griffiths
Eye Blog, UK, January 2011
John & Eye
by Catherine Griffiths
ProDesign 110, Aotearoa NZ, January 2011
Quite a Blast
by Catherine Griffiths
ProDesign, Aotearoa NZ, January 2011
Inner-City Modality
by Mercedes Vicente
ProDesign, Aotearoa NZ, August 2010
Beautiful World of Typography
by Catherine Griffiths
excerpt from a talk, Govett-Brewster Gallery, Aotearoa NZ, June 2009
For the record
by Catherine Griffiths
Introduction to For the record, TypeSHED11 11–15/2009, Aotearoa NZ, February 2009
Locating Our Feet
by Catherine Griffiths
Threaded, Aotearoa NZ, October 2008
Notes
on Feijoa
by Catherine Griffiths
ProDesign, Aotearoa NZ, April 2007
Life in Italics
by Helen Walters
Print, New York,
USA, September-October 2006
Writing by
Types
by Justine Clark
Artichoke, Australia, April 2003
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