studio catherine griffiths


 

A—Z, 1—10 Catherine Griffiths, 1984

Shots in the air
Just 36 frames for a (typo) exercise in photographic restraint

 


Back in 1984, before Wellington Polytechnic had computers, Visual Communication Design students spent big on course materials. One tool our tutors encouraged us to buy was an SLR camera, analogue then — either that, or borrow a school one for which there was a queue. Somehow, I scraped together enough for a Ricoh, a leap on from my Kodak Instamatic and its small, square format, prints with rounded corners.

The camera (and the darkroom processes in league with it), we discovered, was especially useful — photography brought to light new ways of seeing, and unexpectedly introduced us to other expressive disciplines — in this case, Lettering and Typography.

It’s a clear memory, being briefed in class, one sharp Spring morning, to photograph the alphabet A-Z, followed by numbers 1-10. We loaded up our cameras, each with a roll of 35mm black and white Ilford film, 36 frames (not 24), and headed into the fresh air to go looking. Seemed a simple task, erring on the side of boring, we thought. Good excuse for a percolated coffee downtown at Suzy’s. But, there was a catch. We were to shoot a sequence accounting for the way the six negative strips of six frames would be set out in the easel and printed as a standard 8x10 proof sheet (portrait format), reading A-Z, 1-10, left to right, top to bottom.

Spotting a nifty ‘W’ on a red bus (the Wellington transport logo), when actually I needed a ‘B’, called for restraint over impulse — the shutter was tantalising. But no screw ups, one film only. No chance to review, delete or cheat. This was a real-time wander around a small city of letters and numbers — a serendipitous composition of forms and figures on film in the dark of a camera, idiosynchratic records from the mind’s eye, of a time and place.

 

Catherine Griffiths, Eye Blog, January 20th, 2011

     
     
     

04 writing & critique



Walk With Me
by Stephen Cleland
curatorial essay, »Catherine Griffiths: Walk With Me«, Te Wai Ngutu Kākā Gallery, Aotearoa NZ, July 2025

Blood lines
by John Warwicker
exhibition review, »Catherine Griffiths: Out of Line«, Eye Blog, UK, June 2025

On the Expanded
by Megan Patty
curatorial essay, »Catherine Griffiths: Out of Line«, The Design Gallery, University of Melbourne, Australia, May 2025

The Shapes of Sound
by Ela Egidy
curatorial essay, »Catherine Griffiths: Out of Line«, The Design Gallery, University of Melbourne, Australia, May 2025

Read this space
by John L. Walters
book review, »catherine griffiths : SOLO IN [ ] SPACE«, Eye, UK, Spring 2023



Shots in the air

by Catherine Griffiths



Eye Blog, Jan 20, 2011

related links

www.blog.eyemagazine.com



Making Noise
by Catherine Griffiths
contribution, Alphabettes Soup: 2015–2025, Bikini Books, Portugal, March 2026

Walk With: A Survey Exhibition by Catherine Griffiths
by Catharina van Bohemen
exhibition review, Art New Zealand #196, Aotearoa NZ, November 2025

A paper record
by Catherine Griffiths introduction, Present Tense : Wāhine Toi Aotearoa —  a paper record., Aotearoa NZ, May 2023

An installation on an installation on an installation ...
by Catherine Griffiths
artist statement, »catherine griffiths : SOLO IN [ ] SPACE« A documentation, Pocca, China
September 2021

A Paper Vehicle
by Catherine Griffiths and
Bruce Connew
Dwelling in the Margins, Gloria Books, 2020

Figures that don’t add up
by Catherine Griffiths
Eye Blog, UK, March 2019

1997–2017, 43 Black Pins, 40 men, 3 women
by Catherine Griffiths
The Spinoff, Aotearoa NZ, August 2018

Power in the Poster
by Catherine Griffiths
Designers Speak (Up), Aotearoa NZ, August 2018

Peace
by Catherine Griffiths
Word—Form, Australia, 2018

Porto Design Summer School 2017
by Catherine Griffiths
review, looking back on the fifth edition, Portugal, April 2018

Notes from ‘Designing the perfect photobook’
notes from a short talk as part of a panel discussion, PhotobookNZ, Aotearoa NZ, March 2016

A meditation
Sir Ian Athfield, 1940 — 2015
by Catherine Griffiths
Architectural Centre, Aotearoa NZ,
April 2015

The Design Kids interview
interview with The Design Kids, Australia, July 2015

A Playlist : CG >> CG
by Catherine Griffiths
DPAG Late Breakfast Show, Aotearoa NZ, August 2014

Body, Mind, Somehow: The Text Art of Catherine Griffiths
by Gregory O’Brien
Art New Zealand #150, Aotearoa NZ, 2014

Nothing in Mind
by Chloe Geoghegan
typ gr ph c, Aotearoa NZ, August 2014

typ gr ph c in Strips Club
by Catherine Griffiths
Strips Club journal, Aotearoa NZ, March 2014

In the Neighbourhood
by Catherine Griffiths
Desktop #294, Australia, 2013

Interview
by Heath Killen
interview for Desktop #294, Australia, 2013

FF ThreeSix
by Catherine Griffiths
Typographica, March 2013

A note on the D-card
by Catherine Griffiths
Aotearoa NZ, April 2013

Shes Got Legs
by Lee Suckling
Urbis, Aotearoa NZ, January 2013

Truly, No Idea
by Catherine Griffiths
for Flash Forward, Desktop, Australia, November 2012

Look for the purple lining
by Catherine Griffiths
Eye Blog, UK, March 2012

Q&A TBI
interview with The Big Idea, Aotearoa NZ, June 2011

Shots in the air
by Catherine Griffiths
Eye Blog, UK, January 2011

John & Eye
by Catherine Griffiths
ProDesign 110, Aotearoa NZ, January 2011

Quite a Blast
by Catherine Griffiths
ProDesign, Aotearoa NZ, January 2011

Inner-City Modality
by Mercedes Vicente
ProDesign, Aotearoa NZ, August 2010

Beautiful World of Typography
by Catherine Griffiths
excerpt from a talk, Govett-Brewster Gallery, Aotearoa NZ, June 2009

For the record
by Catherine Griffiths
Introduction to For the record, TypeSHED11 11–15/2009, Aotearoa NZ, February 2009

Locating Our Feet
by Catherine Griffiths
Threaded, Aotearoa NZ, October 2008

Notes on Feijoa
by Catherine Griffiths
ProDesign, Aotearoa NZ, April 2007

Life in Italics
by Helen Walters
Print, New York, USA, September-October 2006

Writing by Types
by Justine Clark
Artichoke, Australia, April 2003




 

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