W in black, 21.01.2017 / TwoLine A Soft 128 064, TwoLine B Hard 160 096 032
W in black, 21.01.2017 / TwoLine A Soft 160 096 032, TwoLine B Hard 128 064
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03 other in(ter)ventions
TypeSHED11
an international typography symposium, Wellington, NZ
typ gr ph c
a series of compact workshops, Karekare, NZ
installations, exhibitions
7/7, 14 views
Te Tuhi Project Wall, 2023, Aotearoa NZ
Work/Space
Shanghai Art and Design Exhibition, 2017, CHINA
A whakapapa, two lines of women, an installation drawing
All Lines Converge, Govett-Brewster Art Gallery, 2016, NZ
Installation with mirror and line
transitionalfieldwork, an exhibition, 2016, NZ
only U know ...
collaboration, Lela Jacobs AW17 Auckland, and SS17 Paris collection, NZ + FR
Constructed/Projected
installation, Typojanchi 2015, 4th International Typography Biennale, Seoul, KR
The Tuwhare Poster Project
fund-raiser for the Hone Tuwhare Trust Writers Residency, NZ
memento :: motif
Proyecto de Arte Contemporáneo Alzheimer, Valparaíso, Chile
The Phone Book
a maquette, for the Club de Conversation project
Club de Conversation at S/F with Dino Chai, Auckland, NZ
Club de Conversation: Keyhole Series and Dials
rug series, Dilana Workshop, NZ
Sound Tracks
installation, The Dowse Art Museum, Lower Hutt, NZ
The Jets
short film, Paris, France
posters, protest, statements
The Best Design Awards
three posters, 2018, NZ
Labour of Love
another word-play poster, 2018, NZ
W in black
drawings in progress, 2017, NZ/FR
The Alphabet
front page takeover of the Sentinel & Enterprise newspaper for 26 days, Fitchburg, USA
The Brexit Series
a word-play poster series in response to Brexit
Raising the Flag
contemplative, suggestive — design unravelled, NZ
Protest Vessel
1/2 PRICE
a collaboration with ceramic artist Raewyn Atkinson, NZ
W in black, 2017
drawing, 21.01.2017
Five Ws in five weights using MuirMcNeil’s TwoLine A Soft and TwoLine B Hard ... these are experiments in auto-composition, positive-negative ... drawings in development. Made at the time of the Women’s March.
related links
MuirMcNeil
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