studio catherine griffiths


 

 


I Saw You

design Catherine Griffiths
and Bruce Connew
typography Catherine Griffiths

ISBN 978 0 473 12457 1

hard cover, tape-bound, 120 pages
105x148mm, upright
52 colour photographs
printed in New Zealand
NZ$65 (600 signed, numbered edition)
NZ$190 (50 signed, numbered
edition of book with
signed, numbered archival
pigment print of image #16,
91x91mm, on Hahnemuhle
Photo Rag)
Vapour Momenta Books

Available at bruceconnew.com

     
     
     
     
     
     
     

02 book as object


»catherine griffiths : SOLO IN [ ] SPACE« A documentation Zhihua Duan [with Catherine Griffiths]
2020 / published 10/2021

A Vocabulary Bruce Connew
2017 / published 02/2021

John Scott Works David Straight
2018 / published 03/2019

folded eggs Bruce Connew
2012, 2014 / published 2018

The Gentle Hand + The Greedy Eye: an everday baroque practice in architecture Rachel Hurst
2014 / published 2016

Body of Work Bruce Connew
2013 / published 11/2015

I Drive You Crazy, to the Moon Bruce Connew
2007 / unpublished

I Must Behave Bruce Connew
2006 / published 2009

I Saw You Bruce Connew
2006 / published 2007

Stopover Bruce Connew
2000 / published 2007

Muttonbirds — part of a story Bruce Connew
2002 / published 2004

On the way to an ambush
Bruce Connew
1997 / published 1999

Vekst i det vanskelige
Hanne Johnsen
2012 / published 2013

A Short History of Photography Harvey Benge
2007

Montana Estate Essay Series Four Winds Press
2002 and 2003

Cover Up: The Art of the Book Cover in New Zealand
Hamish Thompson
2008

Looking for the Local — Architecture and the New Zealand Modern
Justine Clark and Paul Walker
2000

 


I Saw You Bruce Connew, 2007


Artist book, published by Vapour Momenta Books, the pocket-sized publishing arm of Bruce Connew and Catherine Griffiths


‘I Saw You’ is the first volume in a social and political trilogy of artist books: ‘I Saw You’, 2007; ‘I Must Behave’, 2009; ‘I Drive You Crazy, to the Moon’, which is soon to be published.

“I peered in on people’s lives, sneaked up on their susceptibilities as they busied themselves mostly in ordinary ways, minding their own business and perhaps a little of yours, when they could reasonably expect no one to be watching—private moments in a public space.” Bruce Connew


Available at bruceconnew.com




 

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