studio catherine griffiths


 


I Drive You Crazy, to the Moon

design Catherine Griffiths
and Bruce Connew
typography Catherine Griffiths
newsprint, 72 pages self-cover
with folded jacket
380x289mm, upright
24 colour photographs
Vapour Momenta Books

coming soon ...

 

     
     
     
     
     
     
     

02 book as object


»catherine griffiths : SOLO IN [ ] SPACE« A documentation Zhihua Duan [with Catherine Griffiths]
2020 / published 10/2021

A Vocabulary Bruce Connew
2017 / published 02/2021

John Scott Works David Straight
2018 / published 03/2019

folded eggs Bruce Connew
2012, 2014 / published 2018

The Gentle Hand + The Greedy Eye: an everday baroque practice in architecture Rachel Hurst
2014 / published 2016

Body of Work Bruce Connew
2013 / published 11/2015

I Drive You Crazy, to the Moon Bruce Connew
2007 / unpublished

I Must Behave Bruce Connew
2006 / published 2009

I Saw You Bruce Connew
2006 / published 2007

Stopover Bruce Connew
2000 / published 2007

Muttonbirds — part of a story Bruce Connew
2002 / published 2004

On the way to an ambush
Bruce Connew
1997 / published 1999

Vekst i det vanskelige
Hanne Johnsen
2012 / published 2013

A Short History of Photography Harvey Benge
2007

Montana Estate Essay Series Four Winds Press
2002 and 2003

Cover Up: The Art of the Book Cover in New Zealand
Hamish Thompson
2008

Looking for the Local — Architecture and the New Zealand Modern
Justine Clark and Paul Walker
2000

 


I Drive You Crazy, to the Moon Bruce Connew
2007 — 2016


Artist book, to be published by Vapour Momenta Books, the pocket-sized publishing arm of Bruce Connew and Catherine Griffiths


‘I Drive You Crazy, to the Moon’, a series of images made during 2007, is the third volume in a social and political trilogy of artist books: ‘I Saw You’, 2007; ‘I Must Behave’, 2009; ‘I Drive You Crazy, to the Moon’, 2016.

‘I Drive You Crazy, to the Moon’, is a private, political journey to oil, and “... grapples more abstractly with the geo-political implications of capitalist frameworks.” says Dr Barbara Garrie.

As a counterpoint to that immorality, and to underline the lyrical beauty and sometimes creepiness of the moving light, Connew added music notation to the smaller, repeated images of the series, which have been placed according to the notes of the opening bars of each of the seven movements of Beethoven’s Late String Quartet #14 Opus 131, a piece of music that is humanity itself.


design Catherine Griffiths
and Bruce Connew
typography Catherine Griffiths
newsprint, 72 pages self-cover

with folded jacket
380x289mm, upright

24 colour photographs
Vapour Momenta Books

coming soon ...





 

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