images / © Catherine Griffiths

 


05 a corporate world


selected

exhibition: A bespoke display system for the New Zealand Institute of Architects

exhibition: Point of Distance
Venice Architecture Biennale 2014 : submission

exhibition: Diverse Practice
School of Architecture, VUW

exhibition: ParlourLIVE!
Venice Architecture Biennale 2016 : submission

film: Making Waves with 20...

id: Athfield Architects
id: KAREN Network
id: KTA
id: Logan Studio
id: The Oxygen Group
id: Parlour
id: REANNZ
id: Sharon Jansen Architect
id: Stevens Lawson Architects
id: TRANSFORM

magazine: BRAIN magazine, JP
magazine: Desktop magazine, AU

mapping: KAREN Network

print: Adam Art Gallery
print: A+W•NZ
print: Kristy Gorman
print: Creative New Zealand
print: TypeSHED11

poster: A+W•NZ
poster: A Cadavre Exquis, TS11
poster: Fête du Graphisme 2015
poster: Blue Oyster Art Space
poster: Like This, Like Us
poster: Man-Made
poster: Salted:Singlet
poster: Wonder-Land
poster: Window

wayfinding: Athfields
wayfinding: Distance Markers
wayfinding: Fran Wilde Walk





Adam Art Gallery fund-raising brochure



client: Victoria Unversity, 1997


The crisp, transluscent white of Gilclear paper was key to the design of this brochure — and tested the limits of the paper (and the paper merchants!) by cracking on the folds, and eventually falling apart. The project was finally printed on a ‘normal’ paper stock (opaque card), compromising the concept, which was architectural drawings merging with photographs of the art collection (Bruce Connew) on a drafting type of paper. The title typography is printed on the inside back to front which, when first viewed as folded, reads right way around.

980 x 297mm roll-folded to A4


related links

Victoria University of Wellington



2000s selected

Athfield Architects
REANNZ Research & Education Advanced Network New Zealand
The Oxygen Group




1990s selected/archived

Creative New Zealand
Victoria University
Wools of New Zealand



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